Somatic Aesthetics and aleatory painting practices
Author's Profile
Tony Benn, PhD
brianervinmamaril@gmail.com
University of Brighton
Benn's Works
Somatic Aesthetics and aleatory painting practices
This thesis is an investigation into artist strategies for rule testing and critical investigation within recent painting practices, primarily within ‘bad painting’ art practices where conscious decisions are made to paint badly.
Abstract: This thesis is an investigation into artist strategies for rule testing and critical investigation within recent painting practices, primarily within ‘bad painting’ art practices where conscious decisions are made to paint badly.
Related Resources
Author's Profile
Myah Flynn MA
brianervinmamaril@gmail.com
University of Brighton
Flynn's Works
Ideal worlds : an investigation into the role fantasy plays in constructing imagery for visual practitioners within the context of contemporary painting
This research aims to investigate how archetypal imagery, as seen in the literature of fantasy and mythology, can inform procedures for constructing contemporary painting within the figurative and abstract elements.
This research aims to investigate how archetypal imagery, as seen in the literature of fantasy and mythology, can inform procedures for constructing contemporary painting within the figurative and abstract elements.
Author's Profile
Jeffery Alan Kiefer MA
brianervinmamaril@gmail.com
University of Brighton
Kiefer's Works
Organic Structure
This supplemental report is based on my thesis exhibition and is an investigation into the influences that drive me to create sculpture. The work stems from a fascination with nature's ability to deconstruct what mankind builds, transforming something new in its place. Through the use of juxtaposed structure, materials and surfaces I explore these relationships. Images of the sculpture and references have been included.
This supplemental report is based on my thesis exhibition and is an investigation into the influences that drive me to create sculpture. The work stems from a fascination with nature's ability to deconstruct what mankind builds, transforming something new in its place. Through the use of juxtaposed structure, materials and surfaces I explore these relationships. Images of the sculpture and references have been included.