Organic Structure
Author's Profile
Jeffery Alan Kiefer, MA
brianervinmamaril@gmail.com
East Carolina University
Kiefer's Works
Organic Structure
This supplemental report is based on my thesis exhibition and is an investigation into the influences that drive me to create sculpture. The work stems from a fascination with nature's ability to deconstruct what mankind builds, transforming something new in its place. Through the use of juxtaposed structure, materials and surfaces I explore these relationships. Images of the sculpture and references have been included.
Abstract: This supplemental report is based on my thesis exhibition and is an investigation into the influences that drive me to create sculpture. The work stems from a fascination with nature's ability to deconstruct what mankind builds, transforming something new in its place. Through the use of juxtaposed structure, materials and surfaces I explore these relationships. Images of the sculpture and references have been included.
Related Resources
Author's Profile
Adrienne Garbini MA
brianervinmamaril@gmail.com
East Carolina University
Garbini's Works
Metaphysics
Metaphysics is a Master's thesis in Visual Arts regarding the face, in the form of a 9 channel video installation with accompanying publication and thesis document.
Metaphysics is a Master's thesis in Visual Arts regarding the face, in the form of a 9 channel video installation with accompanying publication and thesis document.
Author's Profile
Myah Flynn MA
brianervinmamaril@gmail.com
East Carolina University
Flynn's Works
Ideal worlds : an investigation into the role fantasy plays in constructing imagery for visual practitioners within the context of contemporary painting
This research aims to investigate how archetypal imagery, as seen in the literature of fantasy and mythology, can inform procedures for constructing contemporary painting within the figurative and abstract elements.
This research aims to investigate how archetypal imagery, as seen in the literature of fantasy and mythology, can inform procedures for constructing contemporary painting within the figurative and abstract elements.