Photography and sociology: an exercise in serendipity
Author's Profile
Alison Eldridge, PhD
brianervinmamaril@gmail.com
University of Glasgow
Eldridge's Works
Photography and sociology: an exercise in serendipity
This thesis examines the relationship between photography and sociology as offering complementary ways of understanding ourselves and the world we live in. Drawing from the work of Pierre Bourdieu and Raymond Williams, I examine the idea of a ‘field’ of photography within the field of... Read More
Abstract: This thesis examines the relationship between photography and sociology as offering complementary ways of understanding ourselves and the world we live in. Drawing from the work of Pierre Bourdieu and Raymond Williams, I examine the idea of a ‘field’ of photography within the field of cultural production more generally. The practises of documentary photography, photojournalism and fine art photography are explored with specific reference to images of war. In this arena, the politics, aesthetics and ethics of representing the body in pain are addressed.
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Author's Profile
Rosalie Roberts PhD
brianervinmamaril@gmail.com
University of Glasgow
Roberts' Works
Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals
This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and... Read More
This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and...
Author's Profile
Rachel E Andrews
brianervinmamaril@gmail.com
University of Glasgow
Andrews' Works
Contextualizing the Rhode Island School of Design group portfolios and the state of art photography in the 1960s and 1970s
The students and faculty of the Rhode Island School of Design produced fourteen annual group portfolios between the years 1967-1981. The George Eastman House collection contains nine of the fourteen group portfolios created. The group portfolios add to the discourse surrounding university... Read More
The students and faculty of the Rhode Island School of Design produced fourteen annual group portfolios between the years 1967-1981. The George Eastman House collection contains nine of the fourteen group portfolios created. The group portfolios add to the discourse surrounding university...